Books published by publisher Pantheon Books

"If John Irving ever wrote a horror novel, it would be something like this. I loved it.” —Stephen KingNoah Turner sees monsters.His father saw them—and built a shrine to them with The Wandering Dark, an immersive horror experience that the whole family operates.His practical mother has caught glimpses of terrors but refuses to believe—too focused on keeping the family from falling apart.And his eldest sister, the dramatic and vulnerable Sydney, won't admit to seeing anything but the beckoning glow of the spotlight . . . until it swallows her up.Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in . . .

In this inimitable classic, Anne Morrow Lindbergh shares her meditations on youth and age, love and marriage, peace, solitude, and contentment during a brief vacation by the sea. Drawing inspiration from the the shells on the shore, Lindbergh's musings on the shape of a woman's life will bring new understanding to readers, male and family, at any stage of life. A mother of five and professional writer, she casts an unsentimental eye at the trappings of modern life that threaten to overwhelm us -- the timesaving gadgets that complicate our lives, the overcommitments that take us from our families -- and by recording her own thoughts in a brief escape from her everyday demands, she guides her readers to find a space for contemplation and creativity in their own lives. With great wisdom and insight she describes the shifting shapes of relationships and marriage, presenting a vision of a life lived in enduring and evolving partnership. A groundbreaking work when it was first published, this book has retained its freshness as it has been rediscovered by generations of readers and is no less current today.

In 1886, Teresa Jordan's great-grandfather J.L. Jordan left Maryland for the West. It was on Wyoming's Iron Mountain that the Jordan ranch began and survived for nearly a hundred years. Riding the White Horse Home is Teresa Jordan's story of four generations of her family's devotion to the land, a devotion that required at once physical courage and psychic endurance. She celebrates the strength and character of the women of her family - her mother, grandmother, and great-aunts; the men - her father, grandfather, and great-grandfather; and the ranch hands - the hay crew, cooks, and cowboys.With reverence and grace, Teresa Jordan uses the history of her family to mirror the demise of a quintessential American way of life. This is not only Teresa Jordan's family history, it is every Western family's story: it is the story of the American West.Teresa Jordan writes of her family and of finding her place within its history with warmth, sincerity, and pride. It is only after she leaves Wyoming that she begins to understand the women of her history - some who were shoehorned into the only lives they could imagine, others who found ways to create the lives they wanted - and to discover where she belongs.Teresa Jordan's essays in Riding the White Horse Home are eloquent homage to her history and to ours as well.

The New York Times Book Review, Top 10 Book of the YearTime Magazine, Top Ten Fiction Book of the YearPublishers Weekly, Best Book of the Year2013 Lynd Ward Prize, Best Graphic Novel of the Year4-time 2013 Eisner Award Winner, including Best Publication, Best Writer/Artist and Best Graphic AlbumNewsday, Top 10 Books of 2012Entertainment Weekly, Gift Guide, A+Washington Post, Top 10 Graphic Novels of 2012Minneapolis Star Tribune, Best Books of the YearCleveland Plain Dealer, Top 10 Fiction Books of the YearAmazon, Best Books of the Year/ComicsBoing Boing, Best Graphic Novel of the YearTime Out New York, Best of 2012Entertainment Weekly, Best Fiction of 2012Everything you need to read the new graphic novel Building Stories: 14 distinctively discrete Books, Booklets, Magazines, Newspapers, and Pamphlets. With the increasing electronic incorporeality of existence, sometimes it’s reassuring—perhaps even necessary—to have something to hold on to. Thus within this colorful keepsake box the purchaser will find a fully-apportioned variety of reading material ready to address virtually any imaginable artistic or poetic taste, from the corrosive sarcasm of youth to the sickening earnestness of maturity—while discovering a protagonist wondering if she’ll ever move from the rented close quarters of lonely young adulthood to the mortgaged expanse of love and marriage. Whether you’re feeling alone by yourself or alone with someone else, this book is sure to sympathize with the crushing sense of life wasted, opportunities missed and creative dreams dashed which afflict the middle- and upper-class literary public (and which can return to them in somewhat damaged form during REM sleep). A pictographic listing of all 14 items (260 pages total) appears on the back, with suggestions made as to appropriate places to set down, forget or completely lose any number of its contents within the walls of an average well-appointed home. As seen in the pages of The New Yorker, The New York Times and McSweeney’s Quarterly Concern, Building Stories collects a decade’s worth of work, with dozens of “never-before-published” pages (i.e., those deemed too obtuse, filthy or just plain incoherent to offer to a respectable periodical).

"If John Irving ever wrote a horror novel, it would be something like this. I loved it.” —Stephen KingNoah Turner sees monsters.His father saw them—and built a shrine to them with The Wandering Dark, an immersive horror experience that the whole family operates.His practical mother has caught glimpses of terrors but refuses to believe—too focused on keeping the family from falling apart.And his eldest sister, the dramatic and vulnerable Sydney, won't admit to seeing anything but the beckoning glow of the spotlight . . . until it swallows her up.Noah Turner sees monsters. But, unlike his family, Noah chooses to let them in . . .

Two leaders in the field offer a compelling analysis of the current state of the art and reveal the steps we must take to achieve a truly robust artificial intelligence.Despite the hype surrounding AI, creating an intelligence that rivals or exceeds human levels is far more complicated than we have been led to believe. Professors Gary Marcus and Ernest Davis have spent their careers at the forefront of AI research and have witnessed some of the greatest milestones in the field, but they argue that a computer beating a human in Jeopardy! does not signal that we are on the doorstep of fully autonomous cars or superintelligent machines. The achievements in the field thus far have occurred in closed systems with fixed sets of rules, and these approaches are too narrow to achieve genuine intelligence. The real world, in contrast, is wildly complex and open-ended. How can we bridge this gap? What will the consequences be when we do? Taking inspiration from the human mind, Marcus and Davis explain what we need to advance AI to the next level, and suggest that if we are wise along the way, we won't need to worry about a future of machine overlords. If we focus on endowing machines with common sense and deep understanding, rather than simply focusing on statistical analysis and gatherine ever larger collections of data, we will be able to create an AI we can trust—in our homes, our cars, and our doctors' offices. Rebooting AI provides a lucid, clear-eyed assessment of the current science and offers an inspiring vision of how a new generation of AI can make our lives better.

From the internationally acclaimed author of Blankets (“A triumph for the genre.”—Library Journal), a highly anticipated new graphic novel. Sprawling across an epic landscape of deserts, harems, and modern industrial clutter, Habibi tells the tale of Dodola and Zam, refugee child slaves bound to each other by chance, by circumstance, and by the love that grows between them. We follow them as their lives unfold together and apart; as they struggle to make a place for themselves in a world (not unlike our own) fueled by fear, lust, and greed; and as they discover the extraordinary depth—and frailty—of their connection. At once contemporary and timeless, Habibi gives us a love story of astounding resonance: a parable about our relationship to the natural world, the cultural divide between the first and third worlds, the common heritage of Christianity and Islam, and, most potently, the magic of storytelling.